Seeing how Eggleston imbued magic in the ordinary through his color work, Prager knew she would be a photographer.

She attended a William Eggleston show at the Getty Museum in Los Angeles in the early 2000s, and it gave her immediate clarity. The first photo book that photographer and filmmaker Alex Prager bought is still the most meaningful to her. I think it’s valuable because it's kind of obscure, but just the act of discovering this work at this time in my life has such value.” He added: “I keep that one in glassine and I treasure it. “This particular American edition doesn't have great design. “I opened it up and I was transformed by the images,” he said.

It’s a rare book cherished by many photographers, but was unknown to him at the time. edition of Masahisa Fukase’s The Solitude of Ravens (1991), an obsessive, poetic study of ravens that reflected the desolate mood of postwar Japan. Over two decades ago he was sifting through a Barnes and Noble sales bin when he came across the U.S. His most treasured photo book was an unlikely find. “I have lots of obscure artists’ books and zines that use image and text in funny ways,” he said. He became fascinated by the subgenre of photographic children’s books-Dare Wright’s The Lonely Doll (1957) being among the most famous-as well as photo-based comic books.

photo books like Walker Evans’s Message from the Interior (1966), and Shore’s Uncommon Places (1982), but he also seeks out niche books that have unusual relationships between image and text. Soth has been heavily influenced by classic U.S. His own publisher, Mack Books, released his latest book, I Know How Furiously Your Heart is Beating, earlier this year, as well as a reprint in 2017 of his formative 2004 monograph Sleeping by the Mississippi. When Soth began earning international recognition for his work, he was able to travel to book fairs form relationships with publishers and start an experimental imprint, Little Brown Mushroom. Not everything needs to be signed,” he said. “I'm not obsessive about first editions, or untouched books. Soth has collected around 5,000 books, but he still doesn’t consider what he does “collecting” in a formal sense. Today, he said, “the Robert Adams shelf is a heavy one.” He bought it before he considered his handful of books a collection. One of Soth’s earliest photo books was the stained copy of Adams’s Summer Nights. Here, five renowned photographers take us inside their photo book collections. I remember pulling it from my bookshelf, when I first fell in love with it.” “It's just the memory and the tactile quality of the book. “I love the worn parts of them-this clipped corner on Uncommon Places,” he said, or a stain on his copy of Robert Adams’s Summer Nights (1985). But fine-art photographer Alec Soth often becomes deeply attached to his copies precisely because of their imperfections. Stains, yellowed pages, and worn bindings might make the rare book collector balk. “My photo book collection is arranged in stacks in my living room, in a way that encourages visitors to my home to look and enjoy them,” said documentary photographer Laylah Amatullah Barrayn. Photographers’ books are rarely hidden away or untouched, but rather combed through frequently, and loved. All photographers remember the magic of the first camera they owned, but another transformative experience is often the first photography book that kindled a flame within them.

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